Greetings all! Tomorrow is my last day at the museum and then I'm out in the void! I've seen some photos floating around of oddly shaped fire brick forms for supporting weird or irregular brazing setups. Anyone know what I'm talking about? Not sure what to search for so I can't seem to find them. Any leads would be sweet. Here's a snap shot of similar forms...
For an upcoming exhibit, we need to include wigs on some archival Dorfman mannequins. I've tried to find nylon wigs that would be more likely to pass an Oddy test, but I haven't had any luck yet. Does anyone have a source for wigs that have either passed or might pass? I've considered making more of a sculpted hair and face combination, but I might not have enough time for that. Thanks, Ann Ann Prazer Mount Shop Supervisor The Field Museum 1400 S. Lake Shore Dr. Chicago, IL 60625
Hello everyone, Do you have a wood sealant product you would recommend for an exhibition case? The idea is to have a wall with wood shelves imitating a warehouse from the 1920's. The shelves and objects will have an acrylic top so it will be more or less sealed for several months. Because the exhibition designer doesn't want to use Marvelseal/fabric to cover the shelves (he wants the actual wood showing) we were wondering what products are recommended to seal the wood as best as possible to avoid off-gassing. Thank you! Silvia Manrique The Wolfsonian-FIU
Jun 4 Hi All,
I’m wondering what the current opinion is in the museum and conservation community regarding the use of Volara and volara type fused surface polyethylene foams. It has long been a standard padding in mountmaking, but a review of the current Oddy test results in the AIC Wiki raises questions about its long term use. In addition, I’m seeing suppliers that used to be sources of Volara with an acrylic adhesive no longer offering it. I’m wondering if there have been problems with it or if what seem like minor blemishes in the test results are influencing the availability of an otherwise longstanding product? In our situation, the need for padding and protection from abrasion on ethnographic objects will still lead us to use it, but I’m wondering about the longer view with regards to this material.
Craftsman, Trainer, Consultant
Seattle, WA emilio
Jun 4 Hi Jaime,
I do use volara as well and I'm surprised to hear this. We are not testing regularly and the stock I still have remaining is fairly old (at least 8 years).
Last time I bought it was through University Products. At the moment we do not have a conservator on staff so If I would like to have it tested I would have to send it to a private lab.
I'm curious what others have to say.
It is a nice product. (or was).
Emilio Pamela Gaible
Jun 4 For what it's worth.
Field Museum's oddy test
Black volara no adhesive from Gaylord Tested in 2017 - Passed
White volara no adhesive from Matsterpak tested in 2014 - Passed (since I still have a stash of this we have not retested it this year but it is due.)
Black Adhesive backed - Lineco Volara Foam Rabbet Tape tested in 2017 - Failed
Best Pam kenymarshall
Jun 4 I'm sure that some of you have seen this but for those that haven't...here's the American Institute for Conservation wiki page for Oddy test results for case construction.
Volara seems to be considered temporary or unsuitable depending on type. Really depends on the nature of the object I would think.
The Andy Warhol Museum